Despite his later reputation as rock’s preeminent egghead, Brian Eno clearly delighted in his showman tendencies when he arrived on Roxy Music’s stages looking like a space-age ostrich before smothering the band’s high-concept art-rock rave-ups and decadent ballads with synthesizer whirrs and squeals. Even by the standards of early-‘70s glam, he was wildly flamboyant, so much so that Bryan Ferry grew weary of competing with him for attention from audiences and critics. The tensions prompted Eno to quit the band in 1973.
Starting with the same year’s Here Come the Warm Jets, Eno then released a series of solo albums that were just as packed with wild new ideas as his albums with Roxy Music had been. With the help of friends like Roxy guitarist Phil Manzanera, King Crimson’s Robert Fripp, and Soft Machine’s Robert Wyatt, he would demolish just about every piece of existing rock methodology in songs that turned and twisted while somehow retaining their headlong velocity.